Showing posts with label Orson Welles. Show all posts
Showing posts with label Orson Welles. Show all posts

Sunday, March 17, 2013

Edward Cronenweth: Candid, Still and Cheesecake Photographer

Not much could be found on this photography artist but, as usual, I'll keep digging and add things as I find them.

Cronenweth was born on March 20th 1903 in Pennsylvania.

He worked as uncredited still photographer on such films as,  "The Gorgeous Hussy,"  "The Lady From Shanghai," and "Ensign Pulver."

He took photographs of Rita Hayworth, Joan Crawford, Glenn Ford, Lucille Ball, William Holden, Robert Stack, Gia Scala, and Cliff Robertson.

Corbis mentions this as being on the back of one of Cronenweth's photos:

Original caption:4/14/1941-Hollywood, CA: The "still photographer" comes to his own in Hollywood. He is the unsung cameraman who makes the pictures that are used for display and publicity purposes. In the still photo show of the Academy of Motion Picture Arts and Sciences Ed Cronenweth came out with first prize for his action still of Judy Garland and Mickey Rooney.  (Seen Below).

He is well-known for his photograhs taken during the filming of "The Lady From Shanghai" including the photos of Hayworth and Orson Welles against a backdrop of mirrors.  His photos were also used for publicity for the movie poster and other items for the film as well.

Died June 26, 1990 at age 87 in Los Angeles, California. 

Here is an example of his work:

Cliff Robertson

Joan Crawford
 
Mickey Rooney and Judy Garland
 
Ann Miller

Cleo Moore

Jinx Falkenberg
 

Lucille Ball
 

Myrna Loy



Candids of Marilyn Monroe
 
The many photos of Hayworth taken during the making of "The Lady From Shanghai."
 


 






This one shows the Cronenworth taking a shot of Rita.
 
The famous 'mirror' pix.
 



 
Other pix of Hayworth with the fabulous dress:
 







 
The posters that the photos prompted:
 




 
 
Two examples of his stamps.

Wednesday, February 20, 2013

The Influencial Photographer Louise Dahl-Wolfe

Louise Emma Augusta Dahl (November 19, 1895 – December 11, 1989) was a noted American photographer. She is known primarily for her work for Harper's Bazaar, in association with fashion editor Diana Vreeland.

Dahl was born in San Francisco, California to Norwegian immigrant parents. In 1914 she began her studies at the California School of Fine Arts (now the San Francisco Art Institute) where she stayed for six years. She studied design, decoration and architecture at Columbia University, New York in 1923. In 1928 she married the sculptor Meyer Wolfe, who constructed the backgrounds of many of her photos.

Dahl-Wolfe was known for taking photographs outdoors, with natural light in distant locations from South America to Africa in what became known as "environmental" fashion photography. She preferred portraiture to fashion photography. Notable portraits include: Mae West, Cecil Beaton, Eudora Welty, W. H. Auden, Christopher Isherwood, Orson Welles, Carson McCullers, Edward Hopper, Colette and Josephine Baker. She is known for her role in the discovery of a teenage Lauren Bacall whom she photographed for the March 1943 cover of Harper's Bazaar. She was a great influence on photographers Irving Penn and Richard Avedon. One of her assistants was fashion and celebrity photographer, Milton H. Greene.

Dahl has said of photography:  "I believe that the camera is a medium of light, that one actually paints with light. In using the spotlights with reflecting lights, I could control the quality of the forms revealed to build a composition. Photography, to my mind, is not a fine art. It is splendid for recording a period of time, but it has definite limitations, and the photographer certainly hasn't the freedom of the painter. One can work with taste and emotion and create an exciting arrangement of significant form, a meaningful photograph, but a painter has the advantage of putting something in the picture that isn't there or taking something out that is there. I think this makes painting a more creative medium."

From 1933 to 1960, Dahl-Wolfe operated a New York City photographic studio that was home to the freelance advertising and fashion work she made for stores including Bonwit Teller and Saks Fifth Avenue. From 1936 to 1958 Dahl-Wolfe was a staff fashion photographer at Harper’s Bazaar. From 1958 until her retirement in 1960, Dahl-Wolfe worked as a freelance photographer for Vogue, Sports Illustrated, and other periodicals.

Louise Dalhl-Wolfe lived many of her later years in Nashville, Tennessee. She died in New Jersey of pneumonia in 1989. The full archive of Dahl-Wolfe's work is located at the Center for Creative Photography (CCP) at the University of Arizona in Tucson, which also manages the copyright of her work.

In 1999, her work was the subject of a documentary film entitled Louise Dahl-Wolfe: Painting with Light. The film featured the only surviving modern footage of Dahl-Wolfe, including extensive interviews. It was written and directed by Tom Neff, edited by Barry Rubinow and produced by Neff and Madeline Bell.

Here are some examples of her work:

Model wearing exquisite gown.
 
Charles Boyer and his wife.
 
Carole Lombard and her dog.
 
Cecil Beaton photographing Marilyn Monroe.
 
Coco Chanel
 
Colette.
 
Edward G. Robinson.
 
Gertrude Lawrence and friend.
 
Greer Garson.
 
James Cagney
 
Hedy Lamarr
 
Orson Welles
 
Mae West
 
Suzy Parker
 
Vivien Leigh
 
She did many images of Lauren Bacall, even going so far as to help her get a film contract and to eventually meet Humphrey Bogart who became not only her film costar but her husband as well.
 
 
 
 
Josephine Baker
 
Diana Vreeland
 
Kay Kendall
 
John and Jackie Kennedy
 
She also did a setting with Marlene Dietrich when she was in "Destry Rides Again."
 
 
Dahl-Wolfe photographing subjects and Diana Vreeland helping her with the model: